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Piano Technique: Tone, Touch, Phrasing & Dynamics, by Lillie H. Philipp
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Practice is indeed the soul of piano technique and this concise handbook — by a noted pianist and teacher — tells you how to get the most out of it. It is a working manual, containing technical studies, excerpts from the works of the great piano masters, and photographs — all of which help the students develop a sound technique in a comparatively short time.
Beginning with such elemental topics as seating position, hand and finger positions, and scales, the author proceeds to trilling, exercises, thumb exercises, four-finger exercises, accent, tone production, chords, fingering, pedaling, phrasing, sight-reading, and other essentials of keyboard art.
Ms. Philipp has distilled the experience of a lifetime of playing and teaching (she studied with students of Liszt and Busoni) into a highly useful guide for all piano students. The text is replete with hints and suggestions for developing better technique:
Melody — If you want a melody to sing, keep the accompanying figuration softer and you will get the desired effect.
Practice — Practicing pianissimo, as many great pianists have been known to do, will help further technique and improve velocity.
Pedaling — If you want an individual tone to be particularly beautiful, catch it with the pedal just after you have hit it.
These hints, and a host of others, are complemented by 63 musical excerpts from the masters — Beethoven, Chopin, Schumann, Bart�k, Mendelssohn, Liszt — and numerous exercises illustrating various technical, stylistic, and musical approaches. Close-up photographs indicate proper positioning of hands and fingers to achieve the proper playing skills and practicing techniques.
Pianists at all levels can benefit from careful study of this unique book — beginners will find it particularly helpful in acquiring a thorough knowledge of the essentials; intermediate and advanced pianists will appreciate its review of basic principles and the author's authentic and interesting treatment of problems concerned with the study of the piano.
- Sales Rank: #1065637 in Books
- Brand: Dover Publications
- Published on: 2010-12-22
- Released on: 2010-11-24
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x 8.50" w x .50" l, .63 pounds
- Binding: Paperback
- 96 pages
- Brand Name: Philipp, Lillie Mfg#: 9780486242729
- Shipping Weight: 0.65 lbs
- Manufacturer:
- Genre:
- All music products are properly licensed and guaranteed authentic.
About the Author
Lillie Philipp studied piano with the students of Liszt and Busoni. She has distilled a lifetime's experience of playing and teaching into this critically acclaimed guide for piano students.
Most helpful customer reviews
13 of 14 people found the following review helpful.
A fine overview of pianism
By Dr. Dave
Philipp's "Piano Technique" provides a fine overview of the fundamentals of playing the piano. The book covers important topics such as position at the piano, arm weight, technical exercises, tone and touch, pedaling, phrasing, musical styles, and much more. There are also copies illustrations and examples from the piano repertoire.
The traditions of technique, artistry and interpretation that are handed down from one generation of great pianists to the next are of paramount importance, and will always continue to be. Pianism is not a science, nor is it much informed by the scientific method, any more than is the case with oil painting, sculpture, or theater arts; it is an aesthetic art form--a different realm altogether. Books like Josef Gat's "The Technique of Playing the Piano" that included tedious explanations of human anatomy have since been found by professors of anatomy to be rife with misapprehensions, errors, and deficient explanations. (Other than that, there is much value to be found elsewhere in his book.) Thankfully, that kind of pseudoscience or mythology has been debunked by the experts in that field.
Even when anatomical information is correct, such explanations have limited practical application and value. For example, if it takes pronation of the forearm rather than supination, or requires ulnar flexion rather tha radial flexion of the hand to play one figure or another, well... then that's what it takes! Far more important to the well-being of pianists is simple but conscientious attention to the basic and proven principles of ergonomics which are becoming much better known and practiced. Philipp's book predates ergonomics as such, but to her credit, her advice on sitting properly at the instrument and properly using the playing mechanism of body, upper arm, forearm, wrist, hand and fingers in artistic piano playing is still absolutely valid and timeless.
There have been, before and since,better and more in-depth books written about playing the piano, but Philipp's book still serves as a wonderful teaching tool for intermediate pianists and a good review for advanced pianists. As an accomplished pianist, for years I've collected books on piano performance and pedagogy and am pleased to have Philipp's book in my library.
5 of 7 people found the following review helpful.
Piano Technique: Tone, Touch, Phrasing and Dynamics
By A. Red
HIghly detailed, with photographs of the hand, and specific exercises to help many problems of transition, phrasing and dynamics, this book offers a wealth of sophisticated informatin for the attentive learner. You must be willing to use the finger numbering system, and try!
0 of 0 people found the following review helpful.
Will use this in my piano teaching
By Loralee Cooley
I can learn something from this book as well as use it in teaching. So far, I haven't had a chance to study it thoroughly, but I'm sure it will be useful in the future.
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